War Memorials

“AUSCHWITZ, THE MEANING OF PAIN”: A BANDA SLAYER NOS LEVA A PENSAR: O QUE SIGNIFICA REPRESENTAR UM EVENTO LIMITE COMO O HOLOCAUSTO EM UMA CANÇÃO?

Literature and Trauma / Hayden White / Zygmunt Bauman / Historia y Memoria / Memoria Histórica / Black Metal Theory / Música / Historia Cultural / Thrash Metal / Heavy Metal Music / Holocausto / War Memorials / Dominick LaCapra / Zigmund Baumann / Black Metal Theory / Música / Historia Cultural / Thrash Metal / Heavy Metal Music / Holocausto / War Memorials / Dominick LaCapra / Zigmund Baumann

Isto não é uma adega (é um templo)

Architecture / Memory Studies / Holocaust Studies / Collective Memory / History of architecture / Arquitectura / Holocausto / War Memorials / Memorials for Holocaust / Monuments and Memorials / Arquitectura / Holocausto / War Memorials / Memorials for Holocaust / Monuments and Memorials

Assmann, Aleida. Espaços da recordação: formas e transformações da memória cultural (resenha)

Memoria Histórica / Memoria / War Memorials / Memória social / Aleida Assmann

Architecture as Collateral Damage: Russian War Memorials

Russian Studies / Soviet History / Architectural History / National Identity / Memory Studies / Architecture and politics / Second World War / Architectural Theory / Soviet Visual Culture / War Memorials / Architecture and Public Spaces / Architecture and politics / Second World War / Architectural Theory / Soviet Visual Culture / War Memorials / Architecture and Public Spaces

Australia\'s Overseas War Memorial Programme as \'Memorial Diplomacy\'

Diplomatic History / Cultural Studies / International Relations / Cultural Heritage / Heritage Studies / War Studies / Architectural History / Diplomacy / Australian History / Architectural Heritage / Cultural Diplomacy / War Memorials / War Studies / Architectural History / Diplomacy / Australian History / Architectural Heritage / Cultural Diplomacy / War Memorials

A Provisional Memorial to Nuclear Disarmament

Military History / Aesthetics / Peace and Conflict Studies / Art / Museum Studies / Installation Art / Museum / Contemporary Art / Visual Culture / Installation (Art) / Nuclear Weapons / Painting / Contemporary Arts / Sculpture / Aesthetics and Politics / Peace & Conflict Studies / History of Nuclear Weapons / Intersections in Visual Art and Design / Nuclear Energy / Visual Arts / Modern and Contemporary Art / Nuclear / Peace / Installation / Memorials and the Memorial Art-Work in the Public Arena / Art and Politics / Nuclear Disarmament / Nuclear Submarines / Protest Movements / Museum and Heritage Studies / Appropriation / Nuclear power / Fine Art / William Morris / Art and Design / Anti-Nuclear Movement / Screens / Submarines / Royal Navy / War Memorials / CND / Appropriation Art / Art and Art History / Installation Art / Museum / Contemporary Art / Visual Culture / Installation (Art) / Nuclear Weapons / Painting / Contemporary Arts / Sculpture / Aesthetics and Politics / Peace & Conflict Studies / History of Nuclear Weapons / Intersections in Visual Art and Design / Nuclear Energy / Visual Arts / Modern and Contemporary Art / Nuclear / Peace / Installation / Memorials and the Memorial Art-Work in the Public Arena / Art and Politics / Nuclear Disarmament / Nuclear Submarines / Protest Movements / Museum and Heritage Studies / Appropriation / Nuclear power / Fine Art / William Morris / Art and Design / Anti-Nuclear Movement / Screens / Submarines / Royal Navy / War Memorials / CND / Appropriation Art / Art and Art History

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